THE A B C's of COLOR PRINTING

  This section introduces cutting and printing processes with the REDUCTION METHOD. In this process, only 1 block is used. A small demo block will present simple examples of shape formation at different stages, textural cutting and shading, and printing varieties. Here we go!

 SOLID COLOR. Before cutting the block (or from an another uncut block for this purpose) several light solid color backgrounds are printed.

 1st CUT. Major shapes are designed and cut out without too much detail. Blue and green blends are rolled on and printed over the background.

 2ND CUT. The original block is re-cut (reduced again) leaving only those areas that will print the darkest values and detail. This is the final printing stage.

 In REDUCTION CUTTING, it is essential to print many 1st stage (background) and 2nd stage (initial shapes) prints before the last stage is cut. Once the block is recut after the 2nd printing, that design layer is gone and cannot be recovered. It now becomes the final printing layer for defining outlines, details and the darkest hues.

 MULTI-COLOR. Here, 2 or 3 light values of 1 or different colors are rolled on the block and printed. This contributes great "painterly" blends.

 1ST CUT. Here, multi-hues are exhibited in both background and initial design areas. Compare this to the solid background above.

 2ND CUT.Again, the recut block of stage 2 becomes the final design. Multicolors add intense contrasts to the dark values of the final print.

 MULTICOLOR. This background is for a REVERSAL, which may or may not have background colors at all. However, it's always best to prepare MORE than less possibilities.

 1st CUT Again, the 2nd stage with the major large shapes completed, is inked and printed. Hues are warm and similar to the 2nd example above. Soon the fun will take place.

 REVERSAL. Either the 1st print must be turned around or the re-cut block be turned up-side down for the reversal to occur. This results in very interesting crossed images.

 COLLAGE. Random tissue paper added to the print paper provides strong color accents. Specific placement can be determined from a 2nd stage print proof.

 1st CUT. Place a "proof" print (trial print) under a background paper. This will show where precise collage materials can be arranged.

 2nd CUT. Collages add quick color and textural interest. Torn rather than cut edges offers a softer blend. Collages can be part of any printing technique.