FOUR IN ONE

Sunglasses from 1, scarf and eyes from another, and the rest from another photo made this contour composite. Yep, we need more figure drawing, but every little bit helps. Keeping in mind that changes are permisable, emphasis was placed on the eyes and neck areas. Step 1 has now been completed and we're ready to move on to interval cutting.

The individual areas are cut apart and placed upon two of 4 color coordinated collage materials and cut again. Or, make a sandwich of 4 different materials (eg. wallpaper, construction paper, origami/oriental papers, thin fabrics, etc.) Place the contour drawing on top, and staple a few times in large areas. Cut all out at the same time.

Here, three different wallpapers and construction paper were used. Multiple cutting allows the layering and replacements for the original shapes. Arrangements are made with the desired intervals on 18"X24" colored railroad boards. A 2-3" border may be included.

Multiple color rubbings on transparent paper characterize this print. Yellow and fushia blend into light mixes and black is heavily pressed to define major edges.

Here more freedom reigns. Another rubbing on white drawing paper makes the addition of watercolors more practical. Notice some changes? Once wet watercolors are in place, pen and ink are freely sketched in making modifications.

Making several prints in various color combinations changes the allover effects of the subject. Also, having several, students can exchange copies with each other. Thin drawing paper for the wax resist will work well for the final sequence.

There you are. Simple materials giving exciting experience. Give it a try!